Three Hathors: H’ank’h-ra, O’Neck, and L’arah’
Three Hathors made a surprise appearance at my Naples studio on the full moon of October 14, 2008 wanting their portraits painted. I could feel some kind of interesting and insistent presence when I awoke that morning and it stayed with me as I went to my painting studio to work. Curious about what I was sensing, I put my other projects on hold and stretched a canvas. As I began to sketch, “O’Neck”s’ vibration and bubbly ebullience came in strongly. (Cool-It’s a Hathor!) Details started to emerge and clarify as the form took shape. A few hours later when ‘O’ Neck “was complete, I turned to the sink to clean my brushes when” L’arah” appeared, directing me in no uncertain terms to stretch another canvas. L'arah is the powerful, stern parental figure, one who is extremely concerned with the current state of things on Earth. She wasn’t very chatty, for which I am grateful, as I could sense not only her vast intelligence but the depth of her consternation over our situation on Earth at that time. When L’arah’s picture was complete I attempted to step outside for some air and was immediately pulled back inside to stretch yet another canvas , this time for “H’ank’h-ra”. (the one on the gold background). His giggly sun-god energy was restorative and balancing after the somberness of L’arah’. As soon as this third portrait took shape there arose quite an astonishing energetic commotion as the three of them started to throw energy back and forth between them, arguing, playing, and teasing each other as if it were a long-awaited reunion of some sort. There is a very dynamic and unique relationship between the three that I experienced not only through glimpses of their past lives and strings of random words and places, but in many waves of what I can only describe as some kind of vast galactic energy like nothing I ever felt before. Together they embrace an incredible array of light, to put it mildly. Long after dark I sat down to rest at last with awe and gratitude and really saw their faces for the first time.
For the next few weeks I wondered what I was supposed to do about these Hathor things hanging in my studio. Various studio neighbors dropped in to comment, spill beer and make Egytptian jokes but I did not feel comfortable sharing what had really happened. Nor did I know why. Now what was I supposed to do about them?
I started having "ideas" to take them places. First was to a crystal bowl meditation. Then it was the Egyptian exhibit at the Ringling Museum of Art; display them in a certain spot at a certain psychic fair; take them to a specific beach and park in a specific spot while the sun set on the Gulf-what was this all about?...
The day before Tom Kenyon’s 2008 Hathor intensive was to start in Seattle, which I wasn’t able to attend,I was feeling very unsettled. Something needed to be done but it was unclear to me what it was. I uncharacteristically started to experiment with photographing, printing and framing the Hathor images. The hours flew by unnoticed as I was in an altered state from handling these highly vibrating images for so long. At last a finished framed piece of art emerged and it became clear to me that this piece had to get to Tom Kenyon for the intensive that weekend. Thanks to my friend Cathy Blair, who was wondering why she had extra room in her suitcase as she packed for the Seattle intensive at that moment, the very first framed set of these Hathor images was delivered to Tom during the intensive.
A few days later the Hathors, which were now TALKING to me (!) finally told me what they wanted me to do with their images. Here are the intentions the Hathors expressed to me: I am to personally see to it that their images are reproduced in a way that preserves their loving vibration with the utmost integrity, and then get them out into the world. They are to be blessed and protected, signed, sealed and delivered to those who feel called to participate in the Hathors ascension work. The Hathors were also adamant that there be a reasonable charge for their images to support the work and the artist. Curiously, they would not allow their images to be distributed until after the inauguration of Barak Obama.
The ideal is to have the light workers who feel called be in possession of these dynamic vibrating images, which when hosted by us become energy access points for Hathor and Earth energy. These vortexes form a grid which expands exponentially when we join together, enhancing both our and the Hathors ability to access Earth energy toward the goal of ascension. Personally, I find them soothing and very entertaining to have around.
If you want to know more about the Hathors, visit www.TomKenyon.com.
E-mail me: Christi@spiritgates.us